Kovy

Clock of Destiny

 

What’s the outcome?

Computing…

Computing…

 

Emeritus with the grey hair

Slumped over spreadsheets

of facts and figures

 

No one knows the day

or the hour, yet the probability

of an end is probable

 

Physical existence is temporal,

yet achievements tunnel, distort

and make a particle of time

 

To stretch is life, tugging along

dreams, ambitions and goals

held by the joy of attainment, for

 

One last finding for the ages

One last experiment,

One more name to include

amongst the sages

 

Looping, tying, pulling along

each other’s callings, producing

the force we all tap into

every star minute,

every planet hour

 

     

                                                                                                                               Uma

 

If he knew how to play with words

maybe I could Care Moore

beyond the way he looks at me

with wanting eyes,

glazing over my smooth physique

words rumbling in my mind

like an impromptu Barraza,

a charming man with deep brown eyes

read me one of his pieces,

Sera Tony, while my favorite song

married through my senses,

a Holy Matrimony of rhythms,

underneath the glaring lights

surrounded by a symphony of sounds

some clunking glasses, some busying cutlery,

what if the stars aligned for this fine night

full moons, jumping over Wicca brooms

or such uncanny sights,

catch him staring again

with such a warm countenance

in his smile, teeth majestic like ivory

eyes full of the innocence of life

still inquisitive and playful,

still sublime

 

 

kerry-james-marshall-portrait-artist-shadow-his-former-self-1980

 

Hollow

 

Tempest, high and rising tides

of ashy skin and crackling bones

smashing against wobbling homes, as

vacant eyes pierce through dusty clouds

amidst the sound of hungry growls,

a barren land of no smiles or rapturous applause

just dry mouths that moan for more

black ink bled on white paper

a desperate call for new tenses

broken pens to numb the pain, drowned

in a sea of labored steps, marching aching flesh

blistered by the dampening tears of spiraling events,

there is no one else to punish

but that which stares back in despair,

with this pen, why this pain, why this then

like everyone else, deluded with greatness

howling pretenses soon swallowed

by the deafening silence of unmoved faces,

this art form consumes its victim’s whole

leaving a trail of syntactic errors and grammar lows

empty stages of trampled dreams

‘who is this? who is this?’

‘who is there?’

nobody, nothing,

not at all,

no one is there!


 

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